Travel the World - Letter to a Friend - Assignment

Travel the World - Letter to a Friend - - Assignment Example nding money and time traveling to the City was, therefore, to experience the culture and art of London, to learn the various kinds of art within the city that may have influenced Albert in his career. In his painting, Albert depicts ambient photographic-like scenery of a lake amidst rocky mountain cliffs with grazing deer on the shore in the foreground. The cheap means of travelling to London from Huston Texas was through the Turkish airlines that cost $610 to and fro. The great London atmosphere also extends its hotels with varying affordable rates. Within the city of London, I am staying at the Central Park Hotel, a three star hotel located at the heart of the city that costs  £43 per night (FareCompare.com). London is the capital city of the England in Europe popularly known for its monarchy system under the rule of a queen. There are nearly over 300 languages spoken in the city, however, its main culture mainly ties around the arts, museums and various festivals. In particular, as for architecture, London prides itself of a number of landmarks and cultural iconic objects that are globally associated with the city such as the Big Ben, as well as the Buckingham Palace. The city is also popular for the fast foods vendors that specialize in making the burgers, pies and pizza that forms one of the main popular foods among most city dwellers and workers. In terms of entertainment, the city is best recognized for its particular preference for rock music dating from the 1960s and is the home for various globally renowned rock bands and musicians. The city is also home for some of the globally recognized teams in the game of soccer. Like other major cities across Europe, London has an oceanic t emperate climate with the four climatic seasons like most of Europe (The Guardian). Albert made his iconic photograph-like painting using oil-based paints and soft brush to make the portrait on canvas measuring approximately six and ten feet in size. Albert gracefully employs

How are convergence and interactivity defined in new media studies Essay

How are convergence and interactivity defined in new media studies Using examples, critically evaluate these concepts in relation to those of remediation and intra-activity - Essay Example product of convergence between â€Å"old† and â€Å"new† media through â€Å"remediation,† which they examined in their book, Remediation: Understanding New Media. This essay aims to study how convergence and interactivity are defined in new media studies. Through several examples and definitions, it critically evaluates these concepts in relation to remediation and intra-activity. According to new media scholars, convergence is defined through technological convergence, the lens of consumer agency (Lister et al., 2009: 48; Suchman, 2007), cultural/system/corporate convergences (Jenkins, 2008; Murdoch, 2000), and remediation (Bolter and Grusin, 2000), while interactivity has been defined as a cause, enabler, and result of convergence (Murdoch, 2000; Manovich, 2001); however, the â€Å"myth of interactivity† (Manovich, 2001: 74) and the process of inter-activity (Barad, 2007) criticise the intuitive and interactive notions of new media interactivity and con vergence (Hay and Couldry, 2011). Before convergence is further understood, the meaning of new media must be explored first because it shapes the philosophical conceptualisation of convergence. One of the common definitions of new media is the interaction between old and modern media, especially computers, mobile information and telecommunication devices, and the Internet. New media is more complex and varied than the use of current web and mobile technology interfaces, nonetheless. In the article, â€Å"How Should We Read New Media and New Technologies?† Gà ¶kà §ek (2011) cautioned people in seeing new media as a single and homogenous object, when it is composed of a â€Å"...collection of objects which should be analysed economically, socially, culturally, politically, philosophically, theoretically and technologically† (71). He resisted separating new media from its social context, as well as bundling it into a simplistic view of networked and interactive modern technological systems. Manovich (20 01), in The Language